Graphic used in a theatre production showing two boxed dolls labelled ‘National Front’, one styled in a white top with a Union Jack emblem, dungarees holding up denim jeans and red boots, placed beside a small Indian childlike doll.
Production still from a theatre performance showing a performer wearing a blue toned oversized head, and wearing a dark blazer extending one hand, illuminated by blue stage lighting against a shadowed set.
Production still from a theatre performance showing a figure in a grey hoodie with a speaker for a face stood behind a microphone, with a performer puppeteering and standing behind it lit by low stage lighting against a pitch black background.
Still from an illustrated animation showing a person with voluminous curly hair, hoop earrings, and an orange jacket, with a green pin, worn over a pink top and against a soft pastel background.
Production still of a silhouetted performer majestically posed with a staff across their shoulders, set against dramatic red lighting. Only the top half of their body is in view.
Production still of two performers on stage. A woman in a yellow top and fluffy bear hat sits in a wheelchair smiling in the foreground while another performer sings into a headset microphone behind her.
A person in a black headscarf and a white jacket, stands in front of a large bus stop poster board displaying poetry, with lines of its white text blurred but visible in the dark green background. They converse with someone offscreen to the left.
Production still of a performer vocalising into a handheld microphone, dressed in a dark T-shirt with a white swirling graphic on it. The performer is stood in front of a highly contrasted and black and white film grained image of a rooftop and cloud

For over 20 years I have created theatre, film, music and visual arts projects with and for young people, both as a freelancer and as co-founder, co-CEO and Artistic Director of 20 Stories High.

Keith Saha Studios marks a shift in my practice, focusing on work with and for Global Majority, working-class adults.

Through an interdisciplinary approach that embraces emerging technology, I collaborate with a wide range of practitioners, from rappers, puppeteers, visual artists and classical musicians to researchers, technologists and wellbeing specialists - to create new forms of work that sits across arts spaces, community spaces and online platforms.

Guided by three core principles of

Imagination, Innovation and Collaboration

We make accessible art that is personal, political and playful.

My lived experience of being British Asian, care experienced and neurodivergent does not define me, but definitely informs the work I make, where I make it and who I make it with.

A portrait photograph of Keith Saha wearing medium sized dark rimmed glasses and a light brown corduroy jacket over a black t-shirt, photographed against a pitch black background. Keith has brown spiked hair, brown facial hair, warmly half smiling..

ABOUT

Production still from a theatre performance showing a performer's face, as part of a very small puppeteered body presented in front of a curtain, in a small square box labelled ‘Her Majesty’s Pleasure’, lit in dark blue stage lighting.

photo credit: Robert Day

KEITH SAHA’S GHOST BOY restores your faith in theatre pertinent to contemporary times.

THE STAGE ★★★★

Image credits left to right - Keith Saha x AI - Jack Ehlen - Tristram Kenton - Rebecca Oliver - Dreph x Keith Saha

Robert Day - Keith Saha x AI - Rebecca Oliver - Robert Day - Kay Dale